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Do children and the elderly first?



I do not think many questions are already on the huge crisis facing the traditional media, carried by the curse of the Internet. Crisis that is taking with him the whole advertising industry (media, advertisers and agency). is obvious that traditional advertising is a great sinking ship, and every advertiser wants to escape sooner or later.

I do not want to say that television, radio or print advertising may not work as today. Work and in some cases, still work well. But whenever make it worse. Especially with fresh meat, one of the most valuable targets in the market. Even some gadgets
online advertising also work getting worse. The

Social Media Marketing is a raft a lifeboat to throw us when the liner is sinking, and searching desperately for something to hold on to avoid going to the bottom with him. The dilemma is that we do not know if it will lead us to an island or end up dying of hunger and thirst. The

Social Media Marketing is a promise. The problem is that the ship is sinking, and we only have two choices: sink with it, or get on a boat almost by design, hoping to find land.

Children and the elderly first. Photo


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Presentation of "Murphy's Law" and "Communion", Eloy M. Cebrián

Next Wednesday, October 28, at 19.45 h, the writer Albacete Eloy M. Cebrián presented two new publications in the bookstore People of Albacete. These are two very different books court, specifically a collection of articles and a collection of stories.

"Murphy's Law" contains a selection of columns that the author has published in various newspapers of the city during the past ten years, and an article appeared in the national press. A difference of opinion columns to use the texts in this book have little or no relationship with today. It is more personal reflections, many of them humorous, others more poetic and introspective. The reader will find articles on a wide range of issues, from tangos to the Big Bang, through books, dreams, football, time or chance. Worth mentioning the central section of the book, entitled "Mysteries of Albacete. This is a series of ten short stories in the key of genre literature (fairy tales, horror, science fiction), with the peculiarity that the stories they tell take place in places as emblematic of our city as the park Abelardo Sanchez Altozano, the cathedral or the Fair. "Murphy's Law" has appeared under the label "Books of The Problem of Yorick." His cover is the work of cartoonist and caricaturist Albacete Eulalio Molina.


The second book presented is a collection of stories entitled "Communion", composed of twelve stories with a predominantly lyrical tone. Unlike his novels, where the author often grown satire and humor, stories that make up "Communion" evoke scenes of sadness and melancholy. Unexplained noises that slip through the walls, two estranged brothers because of some almost microscopic critters, a chronic depression respond to junk messages in your e-mail, a prisoner trapped in a huge apartment tower, a boy who suffers bizarre mutations, an annual gathering of former altar boys at the conclusion of a peculiar ceremony, two elderly people who live surrounded by ghostly presences, a man in love with a young prostitute ... here are some stories that make up the Communion. " Despite the fantastic atmosphere of certain stories, they all address issues as human and universal, with loneliness, isolation and death as overarching themes. The author is indebted to the tradition states South American tale, Borges and Cortazar primarily, but also of American teachers as Carver or Cheever. "Communion" has appeared on the editorial Alfaqueque Murcia. The book's cover reproduces the painting "Prelude in the world" by the painter Jose Calle Albacete, part of his recent exhibition "Inside the Iris."


addition to the author, the presentation will include the participation of Francisco Javier Martínez, editor of La Tribuna de Albacete, and Fernando Fernandez, head and founder of Alfaqueque Editions. Eloy M.

Cebrián announced several new for the coming months. In November, the Klett publishing house published his novel "Under the cold light of October" (Jaén Prize 2003) in German speaking countries. It is a didactic edition for students of English. Coinciding with Christmas will be held the reissue of his historical novel "Memoirs of Bucephalus, which was first published a decade ago by the provincial council, and returns to the library in one volume under the title" Bucephalus, memories Alexander's horse. " It also has plans to publish a new novel entitled Juvenile gender "Operation Beowulf" that will appear next spring with the seal of the prestigious Oxford University Press.

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Jonas Mekas: a pragmatic Madrid Jonas Mekas

never seen Jonas Mekas, and on Tuesday 13, during his visit to Madrid and, specifically, the small cinema The brown dwarf, I was very pleasantly surprised. And actually, if I had thought before, should not have called me special attention because the character of Lithuanian operator is fully consistent with the film and the methods he has employed throughout his long career professional.


We arracimábamos a handful of people near the door of the brown dwarf without forming a queue or store any kind of order. Minutes before the opening, air descpreocupado and cheerful, and Jonas Mekas was seen walking around and looking at those who waited patiently to see his movie and his statements in a narrow street Malasaña. It sensed a smile on his face half hidden by the profile of his hat, which does not take away all night, while talking to someone who must be a friend or acquaintance.

went into the charming film, we chose to sit on their couch, knowing that we had to stay four hours in the same position, adding the conference to three hours film, and look expectantly to the filmmaker announced star of the day. (Is there any contradiction more fun to call star filmmaker Jonas Mekas?). Then we were told that, at the express wish of Mekas (and for people to hold out until the end of the projection), its intervention would occur at the end of the film. Before the lights went out, I saw a flash of Mekas behind the door, drawing bursts of light with his coat in the same way they are captured in his films by his camera nervous. Because

Mekas live camera of his own nerve, and raises his concerns, his need to move a poetry that feeds on the strength of the real and the sensitivity of the moment captured. Mekas camera moves his pen to become the closest thing to remember the concept theorized by Astruc and rarely implemented. The independence and the necessary risk are perhaps too high, and this camera seems to follow fountain of Mekas internal dictates of someone like Walt Whitman, he feels the expression of joy that surrounds it as something everyone should know. And like Whitman, and unlike many great artists, here comes the poetry of life and not vice versa, and beauty comes from the joy the same way as happens in real life, which sometimes beauty is just an expression, a consequence of the sublimation of a high moral concept or a particular affection for something or someone.

Is it possible to convert a millionaire tacky wedding in style in an intimate celebration of poetry, an expression of joy of living? Yes, and it can be seen in Walden, the film projected onto the brown dwarf before Jonas Mekas in person took the floor and explicitly endorse all the feelings of optimism and euphoria that exude his films.

At first I thought the man was an idealist, but thinking about it later came to the conclusion that had nothing to do: it was rather the opposite. Jonas Mekas optimism seems to reach a path that may seem alien, that of the meticulous observation of reality and, consequently, pragmatism in daily life. Just as it can be considered totally pragmatic concept Pascal existence of God based on the likelihood and benefits end, the radiation of joy and vitality in Mekas seems a consequence of a totally open-minded thinking (someone tremendous merit 87 years), which shows that the best way, the most practical, to reach specific objectives, is the free expression of joy as a vehicle to achieve beauty. And there are accelerated to remember those images, manipulated, saturated, joyful and rich in concepts of Walden. Images back to the primeval, that look innocent on the things that people like Lumiere or Murnau discovered for the movies. What is more practical in the way everlasting human happiness, cross it obfuscated, concentrated and sad, worried about everything that can not be resolved and therefore remain unchanged for the desolation, or advance slowly, happy and not thinking rather than the immediate goal, that first goal on should not affect the menacing shadow that never shake enough? Mekas

becomes New York and makes poetry of the city, asphalt and cement, a unique place where you dwell on the details invisible to the naked eye, those same details, captured by a camera inert trivial make something sublime, a festival of emotions.

And Mekas said, at the end of the projection, we must not look back, and bask in the "past was any better," because the best is always come, and because we have a technology that we need not deny as do so many intellectuals (and talked about the Internet, video Digital media ..., his project of 365 cyber short and another scenario of 1001 with ...), but use it to shape our new reality, always dynamic to avoid death, and to set new ways of thinking , look and joy. And Mekas spoke of politics, and updated as a child of the 60 spoke of the resistance, the concept of resistance, to disown him: what we have to resist?, What we do, if anything we do not like, is to create new things, better, but not resist defending something that is continually mutating to avoid becoming part of the past. And so it was clear, to the handful of people who listened, how a man of 87 years may be more fresh and modern mentality in memory, no trace of nostalgia or complacency, wanting, alone, to look forward not dwell on what already has no solution, stalling a wide-brimmed hat , and progress along a path in which only partial import stages.

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Jonas Mekas, the father of American experimental cinema, underground, or whatever you call, comes to Madrid and will be on Tuesday 13 October The brown dwarf with Pip Chodorov, from 20:00. Screened one of his most famous works, Walden (Yes, based, I guess it freely, in the work of Thoreau), part of its important newspapers filmed. But that's not all, because the next day, Wednesday 14, it will have in the Reina Sofía also lecturing at 20:00. I try to go at least to the brown dwarf, if I run out of tickets (as happened recently with Jarmusch), so I will comment on here:).

PS: I promise a return post, that after so many months have to explain something, but this ad was too urgent!

Edito again to add an article about Walden of essential Blogs & Docs.

leave here also the comment of the website on Walden The brown dwarf, which comes in handy:

WALDEN. NEWSPAPERS, BOOKS AND SKETCHES
"Walden" is a lake in the state of Massachuttes. They retired in 1845, the American thinker and writer Henry David Thoreau (1817-1962) to discover the message that nature had to give, to find himself in the purest form that can living man (Emile Hirsch emulated the writer in Into the Wild). Thoreau wrote during his retirement "Walden, or Life in the Woods", and become a classic of American literature.

Lithuanian Jonas Mekas , one of the most important representatives of American experimental cinema, he spent three years filming his daily life, his travels, his encounters with various people, etc.. Each episode of this amalgamation, which took final shape in 1969, contains references to Thoreau's retreat, but the most palpable is the word "Walden" between each One chapter, except that the lake was Mekas Central Park.

Talk-talk with Jonas Mekas and Pip Chodorov on Tuesday October 13 at 20:00.

I Program

WALDEN
U.S.
Jonas Mekas. 16mm. 1964-69, 180min.
"Since 1950 I kept a diary filmed. He traveled the world with my Bolex and reacting to the immediate reality: situations, friends, New York, seasons. Some ten days filming frames, others a second, some ten minutes. Or did not roll anything. When one writes a diary, make a retrospective process: you sit down, look back in your day and write. To keep a diary film, you have to react to your camera to the immediate, now, immediately, or you take it or you do not take anything. If you go back and wheels then it means starting over. To collect the reality as it is happening now requires a full understanding of the tools you're using, in this case the Bolex camera, must pick up the reality I'm reacting and also has to translate
my mood as I reacted. Which means that the structure (mounting)
has to be done there, during the filming, the camera. All the footage you see in the newspapers is exactly as you left the camera: there is no way to achieve anything in the editing room without destroying its form and content. Walden contains material from 1965-1969, together in chronological order. For the soundtrack I used some of the sounds collected during the same period of time, voices, feet, very sound of street passages of Chopin (I'm a romantic), and other sounds, some significant and insignificant others. "Jonas Mekas